Sunday, February 27, 2011
4 years without a car
Wednesday, February 23, 2011
Pilgrims by Will Elliott
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Two friends of mine introduced me to this
A mysterious door appears below a train bridge where our lead character, Eric, passes it every day on his way to and from work. One day the door opens and they discover there’s another world beyond the door along with some other world characters who have popped in and quickly disappear.
You can probably guess where this is going, right? Yes, the protagonist, Eric and his friend, the bum who lives under the train bridge open the door and go through to the other side. Where they discover they’re suddenly on a journey with some interesting and varied characters from the other world.
I liked this book because it takes you on a journey with it’s characters, always picking up and discarding people along the way and in the background a war is brewing. Hugely funny in places, much to Will Elliott’s style, and terrifying in others I really can’t wait to break the spine of book two: Shadow.
Monday, February 21, 2011
Community Recovery
Virtually the entire department I work for has been out on Community Recovery since the floods hit
I only did my recovery training a few weeks ago since I was tagged as someone who needed to be in the office (whichever available office we could work from while ours was being flood affected) so I could write and post stories to our website. When Cyclone Yasi hit and again I was needed for more story preparations and it seemed like little chance of me going anywhere.
Now we’re back in our office, and most of the team is back from leave/Community Recovery/other life commitments, I got the call and was placed in
The whole processes was very tiring given I’d already worked a four day week and come Friday I felt like I should be ending the week with drinks and happy thoughts of two days off. Unfortunately I was starting a new week and wouldn’t get my weekend until the following Wednesday.
The first four days I was lucky enough to be placed in Goodna Service Centre where I could sit in an office and process people’s applications for financial assistance for them. Each centre also housed Centrelink officers, Red Cross, Lifeline and a security guard, so we had no end of support—I really loved working with the people from Red Cross and Lifeline, they’re amazing in their volunteer work and looking after, not just the stressed out people coming through the door, but also us Community workers.
I will admit that being in a people facing environment again was refreshing the first day, everyone was happy with the cheques and assistance I could offer them. Come the second day though, when the Emergent Assistance Grant was no longer available, we saw the more colourful and challenging characters coming out of the woodwork to pile abuse upon us for not giving them what they wanted. I could understand their situation, but unfortunately, I have to follow suit with what services/assistance we’re allowed to offer. It’s also difficult to see people who have already been through so much stress to have to face yet another challenge put in place by the government.
For four days I had people cry, shout, argue, hug me—and while those nice people who sat down to tell me their story made my week, I was also vastly aware of the safety of my silent cubicle back in Brisbane CBD. By day 8 I was well and truly ready to get back to my writer monkey position.
My final day I was sent back to Ipswich Coordination Centre and put on Outreach, which means you spend all day in a Community Recovery 4WD with one other person door knocking in all the affected areas in that region and talking to people about their circumstances, making sure they’re aware of any payments they may be entitled to.
My housing officer I was pared with was happy to hear that I could read a map and made me navigator for the day while she steered the giant 4WD around Goodna and Gailes area. It was a long day, I imagine even longer if you didn’t like the person you were pared with, but I enjoyed it more than sitting in the Recovery Centre. Instead of doing assessments and delivering bad news to those ineligible for assistance, I was actually just talking to people and hearing their stories and providing them information—and as a writer I feel much more comfortable doing this than filling in administrative forms.
My two fatigue days came as something of a relief with me falling in bed around 8pm on Tuesday night.
I’ve already been asked when I can be deployed again—I do like that I have the option of putting my personal life first when I can and I’m playing that card now. But, in the longer term view this thing is definitely far from over, so I expect to be placed again in the not too distant future.
Friday, February 18, 2011
Full Dark, No Stars by Stephen King
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In Stephen King’s afterword he writes, ‘The stories in this book are harsh. You may have found them hard to read in places.’ In reading Full Dark, No Stars I found myself putting the book down many times due to the gritty nature of it’s descriptive actions. The queasy feeling would stay with me sometimes long after I’d gone to bed as I imagined all the ways I didn’t want to die.
A collection of short stories, and possibly some of King’s most disturbing writing, Full Dark, No Stars binds together four separate stories which manage to frighten us most because each one could be possible.
Unlike King’s history of threading together the real and unreal until you’re not sure when you’ve crossed over, this collection is frightening purely because such incidents and people exist in our world every day. It’s not impossible to believe these characters and crimes are real and most likely based on real events.
'1992' is a story of Wilfred Leland James who is writing his confession to committing a murder. A man who appears callous in the beginning, leaving this reviewer with little sympathy towards his situation, increasingly descends into his own living hell through a series of chain reactions triggered by his crime. Normally irritated by stories set on a farm, due to the need of the writer to describe how manual labour takes place at every turn, I found '1922' moved along at a steady pace with each sentence earning its place upon the page.
The second story in the collection, 'Big Driver', is about a mystery writer (and let’s be honest, it just wouldn’t be a Stephen King novel if there wasn’t at least one writer character) who survives a horrifying encounter when she gets a flat tyre alongside an empty highway. We’re all familiar with how a scene like this plays out, however the reaction of this somewhat mousy woman is far from cliché. 'Big Driver' delivers an unexpected twist, a twist that left me arguing with its protagonist to deal with her situation in a different way.
While the least gruesome in detail and horror of all the stories, 'Fair Extension' was by far the one I liked least. The story is of a middle-aged man who has been diagnosed with cancer and makes a deal with a jinn-like man to extend his life. Like all such deals, this bargain comes at a cost. Unfortunately, this character seems only to flourish as the story continues with little regard for the cost that balances out his new good fortune. 'Fair Extension' ends without character growth or remorse and because of this it left me cold. I can fairly say I hated the story.
Finally, 'A Good Marriage' is the last story in the book, possibly the most predictable of all four, yet one I enjoyed the most. Where King failed to bring us justice in the first three, I felt the final story brought me the closure I was looking for. A wife discovers a terrible secret about her husband and realises he has kept this secret the entire length of their marriage. This story opens all the questions of how well do we really know anyone, even those closest to us? It sheds light on how easily terrible things can go on without our even knowing.
It’s true, King is the master of bringing our fears to the surface, and he normally succeeds in this by bringing in his much-patented supernatural creature and setting it free amongst our every day environment, tricking our minds into believing it could be true. He plays on the symbolism we see in those non-human beings. But in this book, King only writes those things we read about every day on the news and doesn’t have to stretch our imaginations too far to scare us, because these types of events are happening all the time.
Normally we have the convenience of ignoring that which we don’t want to see by turning off the TV, but King brings those brushed aside situations and places it directly in front of us in the form of Full Dark, No Stars, forcing us to think about what elements and reactions really sit within the human form.
I have painted a dark review, but King has done it again and brought the world a powerfully faultless and cleverly spun read. If you are not a Stephen King or dark story fan, I’d say skip this book. But if you, like me, secretly enjoy being a little bit frightened and occasionally like looking into the darkness of the human soul you will find this to be one of his best collections.
Review published by Media/Culture Words.
Wednesday, February 2, 2011
Ricotta and Spinach Agnolotti in Tomato Pasta Sauce
Tuesday, February 1, 2011
Breaking Open the Head by Daniel Pinchbeck
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